The Premiere Issue of Vincent Price Presents
Tuesday, September 2, 2008 at 10:03AM
I love vampires. I never get tired of them. Despite their ubiquitous
presence in our commercial culture, I believe they resonate with human
beings in a deep way, which explains their prevalence in folklore.
Vampires are the ultimate archetype of the shadowy side of humanity. I
also believe they are the ultimate harbingers of our subconscious
minds. This is why they are creatures of dread and darkness, and also
why they are so sexy! I think it is fascinating to see the wide range
of vampires in popular culture, from romantic leads to rat-like
vermin. Just when you think the vampire has spent itself commercially,
along comes another pop-culture phenomenon like Stephanie Meyer's
Twilight series. So I am very excited to be opening Vincent Price
Presents, the new monthly horror comic series from Bluewater, with my
vampire story "Welcome to the Family of Night." I think it is the
perfect tale to kick off Vincent Price Presents because I believe it
truly follows in the tradition of Price's body of work, both in terms
of gothic dread and dramatic flair.
Here
is the background of the story: I was visiting a new gated community
in the state of Washington when the story dawned on me. Entering the
gated community was like entering a different reality. First of all,
the trees had been all cut down, leaving a perfect maze of identical
cookie-cutter houses and an abundance of colorful mini-playgrounds.
The playgrounds were everywhere. The contrast between the wild, dense
trees around the perimeter and the orderliness of the homes was really
startling. Then the thought occurred to me: what if all of the
residents were vampires? If so, then why so many playgrounds? The peninsula is inspired by this gated community, although the peninsula in the story looks very different (for instance, it is up on a cliff by the sea).
The story is also influenced by a weird little statistic that I heard:
if vampires existed, and every vampire bit someone every night, and
that
victim then became a vampire, the vampire population would explode
exponentially, and the world would be overrun with vampires. You might
have heard this statistic too, and some vampire writers have come up
with vampire rules for this not to occur in their story-world, like not
every vampire
victim becomes a vampire.
I've always been a huge fan of nightmarish societies in literature,
also known as dystopias, the opposite of utopias. For this story, I
decided to create a society where vampires have taken over society, and
in order to prevent running out of people to drink (because of the
exponential growth thing), the vampires have created a feeding class of
people. The possibility for allegory abounds here. Basically, the
vampires are the rulers, and the remaining human beings belong to the
servant/feeding classes, which includes the soldiers. Also, to add
another twist, this story takes place in the distant future, and there
are some sci-fi technologies at work. I think it adds a nice new twist
to the gothic-ness (or is that gothicity?) of the story.
For
the protagonist of the story, a little orphan boy named "R," his first
encounter with the vampire peninsula is filled with wonder. R is
traveling with a group of children in the back of a passenger van. All
of the children have been taken from the factory where they worked
their entire lives (imagine a kind of futuristic Dickensian child
labor). The passenger van is traveling through a primordial forest,
complete with demonic wolves, like something out of a fairy tale. Then
the van enters the compound's checkpoint, and they enter the strange
world of the elite, luxurious vampire peninsula.
Within
the compound, R discovers a strange land of plenty. All of the
children, formerly living in squalid conditions, now have more food
and toys than they ever dreamed of. However, the director of the compound, and
SS-like fascist soldier, informs the children that there is no escape
from the compound. Each child is placed in a home with new foster
parents, but there is something terribly wrong with this arrangement.
I won't spoil any more of the surprises in the story.
I am very grateful to Rey Armenteros for his gorgeous work on this
comic. His comic book illustrations are really works of art, and I
think his unique style, which is simultaneously beautiful and
grotesque, perfectly brings my dystopian vampire world to life.
Visit the preview gallery, but be warned: there are a few spoilers inside the preview gallery.
Click on the image of Vincent Price to order your copy of the premiere issue of Vincent Price Presents:
![]() Vincent Price Presents #1 Price: 3.19 |












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